Tatiana Klepikova
Klepikova, Tatiana, ed. and transl., forthcoming. Contemporary Queer Plays by Russian Playwrights. London/New York: Bloomsbury Methuen Drama.
Klepikova, Tatiana, 2021. “(Trans-)Forming Gender Ideologies through Performance in Russia: Cyberfeminist Somatexts of the Maailmanloppu Theatre.” In The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance, eds. Tiina Rosenberg, Sandra D’Urso, and Anna Renée Winget. Basingstoke: Palgrave Macmillan.
Klepikova, Tatiana, 2020.“‘If a Cutie, Then Always Misha’: Evgenii Kharitonov’s Queer Masculinities.” In
Go East! LGBTQ+ Literature in Eastern Europe, edited by Alojzija Zupan Sosič and Andrej Zavrl. Ljubljana: Ljubljana University Press, pp. 72–79. https://doi.org/10.4312/9789610603108.
Olga Krasa-Ryabets
(upcoming) Krasa-Ryabets, O. “The Paradox of Censorship in Soviet-era Czechoslovak Theatre.” In Palgrave Handbook on Theatre Censorship, edited by Graham Saunders and Anne Etienne (Palgrave Macmillan)
Krasa-Ryabets, O. “On the Edge of the Perceptible: Microacting, imaginary worlds and cognitive estrangement in virtual performance” Performance Research Journal:Vol. 26, No. 1:‘On Perception’ (Routledge:2021)
Olga Śmiechowicz
Poeci sceniczni w komediach Arystofanesa [Stage Poets in Aristophanes’ Comedies] (2014)
Arystofanes [Aristophanes] (2015)
Polski teatr po upadku komunizmu. Lupa,Warlikowski, Klata [Polish Theatre after the Fall of Communism: Lupa Warlikowski, Klata] (2018)
Polish Theatre after the Fall of Communism. Dionysus since ’89 (2018)
Didaskalia do historii – teatr starożytnej Grecji i jego kontekst polityczny [Stage scripts to History] (2018)
Arystofanes w Oxfordzie [Aristophanes at Oxford] (2018)
Trojanki Jana Klaty [Trojan Women by Jan Klata] (2019)
cenar. centr 